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Studio: Day Seven

face_close_iconDave got in and started tracking at noon. Somebody was blocking my car in my driveway and I couldn’t get out til 2pm. Dave had gotten the choruses triple tracked, messed around with a little slide guitar, and was about to get to work on the solo. He spent some time working on getting the right tone for it: His PRS going into his Marshall for the main sound, and the repeats from the delay pedal running out to the Bogner for full effect. He decided to double track the solo playing the SG and using his Crybaby wah, and running through a Roger Mayer fuzz/ocataver pedal. When you hear the record, you will just hear a heroic solo, but it really takes hours of tone searching and trying different amps and recording approaches to find the one you fall in love with. When the tone is just right, it gets newly inspiring, and new parts and discoveries can appear in the moment and really change the recording. Right now the solo is sounding absolutely amazing. Dave is having a great time with all this sonic experimentation. The lights are low, and the vibe is great.

All day, parked in the lot was a gigantic blue “Oprah’s Best Wishes” Bus. All over the studio, extra people and a camera crew were buzzing around. Apparently, she hooks people up with “Make-A-Wish Foundation” type experiences, and a winner was in one of the rooms tracking a song with Mariah Carey. Randy Jackson was somehow involved, and during our daily Dinner/Metallica Movie break, he stopped by and talked to us. He was way cool, nice guy. The best thing about the Oprah crew was they sure knew how to roll: in one of the rooms, they had catering from Roscoe’s Chicken & Waffles.

Watched the Grammys last night. Normally, I don’t even bother, no one I ever really like ever gets nominated, and the show is usually such a bore. I TiVo’ed it just in case, so I could zip through and check out the highlights. Riss and I were kind of blown away by how good it was. Short on ten minute long montages, and tedious speeches, and long on performances. I have to say I was fully blown away by Alicia Keys and Jamie Foxx. That shit was sick. Very entertaining show. Also, Usher killed it. His music isn't really my cup, but he is really such an amazing performer. The opening with Gwen (She Who Can Do No Wrong), Maroon5, Los Lonely Boys (Um, who they hell are they?), and Black Eyed Peas all doing the live mash-up, was pretty impressive. Led Zeppelin finally got a lifetime achievement award, nice. The Jennifer Lopez/Marc Anthony duet - pure comedy gold! At the end of the show, John Shanks won Producer of the Year. John has a studio down the hall, and I have been seeing him everyday, he has been letting us use an effect or a guitar here and there. Well done, man!

Meanwhile, today in the studio: By 6pm Dave was pretty burnt from playing different parts of the same song. Chris and Stephen broke early to go have some Valentine’s time with their ladies. I got to work on the choruses of “She Won’t Last”. It took a while to get the right sound, I need to fit into a track that already has three tracks of Dave rhythm already. We eventually ended up using Marc’s Les Paul through his Marshall. Someday I think I’ll need to pick me up one of those babies. We broke a little early to have just a little extra Valentine’s time at home…

Comments

Steve- Thanks for the update, seems like "Mr. Gummo" has been going all out on the guitar stuff.

"His PRS going into his Marshall for the main sound, and the repeats from the delay pedal running out to the Bogner for full effect. He decided to double track the solo playing the SG and using his Crybaby wah, and running through a Roger Mayer fuzz/ocataver pedal."

Man...... you guys have all the fun/toys! ; )

I'm glad everything is falling into place.

Brett

As usual, great to see you making progress, Steve.

Some questions, further demonstrating my ignorance -- and interest: 1. What is double- and triple-tracking? Recording the same thing 2 or 3 times on top of each other to create a "richer" sound perhaps... 2. I only play acoustic guitar, so what are repeats and delays? 3. In creating song beginnings and endings, do you consciously consider what songs may precede or follow in creating a sound theme? If, of course, you already have track order in mind.

Thanks.

Man

You you deserve all of the fame and money that I now realize is beyond my time on this earth. I wish you much success. You are very talented and deserve everything that is coming your way

Peace

Dave

'Who are Los Lonely Boys?" HAHAH! That's too funny. They're actually very liked where I'm from. I personally have heard like 1/2 of a song. Who knows?

I agree with you on the Grammy's. Though I managed to miss Alicia Key's which broke my heart and won't be fixed 'til I get to see it.

Again,thanks for the update with what the band's doing.

PS You're hott! Lucky Riss!

I totally agree, it was the first Grammys I've ever sat through and watched in it's entirety. I thought it was the best one yet. I'm serious here Man. I had a vision, so to speak. I really feel that TPC will be sporting those little trophys of hard work next year. One can only hope, however, through all the fame and attention, that the band can somehow, someway, if at all possible, maintain the modesty and be as humble as this guy:
http://kanyewest.com/

WHETHER YOU GUYS WIN GRAMMYS, MTV AWARDS, IVOR NOVELLO'S OR WHATEVER, HOPE YOU JUST KEEP EMOTIONALLY IN CHECK WITH EACH OTHER AND LAST AS A BAND....ALSO CONSIDER COVERING HYPERSONIC(JA) LIVE, BECAUSE TO LET PERKY HAVE THAT DRUM INTRO AND TO NEVER USE IT WOULD BE LIKE JOHN BONHAM WRITING WHEN THE LEVEE BREAKS, THEN SHELVING THE MASTERPIECE.

BE SAFE, BE HAPPY

TONTO1%

Los Lonely Boys are pretty good, we watched the dvd of them live in Austin the other night...we were impressed, of course Angel criteked (spelling?? lol) every lick the guitar player played..about him playing "clean"...but over all they were tight, and put on a good show. Im currently jamming to their "hollywood" song...everywhere!

Steve, I agree with you on most Grammy shows not having anyone I care to see. I haven't watched the Grammy's since they told Radiohead they couldn't play because no one would know who they were. Even though they were nominated for best album that year with OK Computer. I also don't understand how someone as brilliant as Rufus Wainwright keeps getting overlooked. It was nice to see him in The Aviator. Oh well, even when some of the bands I like do get nominated, they're never the ones to perform.

M.

I'm looking forward to the first time TPC performs at the Grammys...THAT I will watch!