New York Stories : Part One

Here is the tale of last week's trip to New York City to master our record.
Part One: Through the Black Hole
We had just finished mixing the new version of "Blue Bruises" on Saturday night. The last minute whirlwind of it's re-recording left us exhausted and a bit scattered. That all gave way to excitement as the prospect of venturing out to New York was just hours away. Sunday afternoon was a blur of cars, luggage, and me getting my ATM card sucked into a bank machine leaving me with 40 bucks for the trip. Good times.
Dave, our manager Jared and I took a jetBlue flight out of Long Beach airport to JFK. I'd heard how great flying jetBlue was, and now I see why. Having a little TV screen with movies and satellite TV mounted right into the headrest in front of you makes a world of difference on a transcontinental flight. I watched some poker TV, most of "Jaws", and then we all watched part III of that great sexual predators stakeout show on MSNBC. Most of the time though, I had my iPod on and was working out album sequences. Although I'd spent days working on the final sequence, the perfect one was still hidden from me. All that we were really sure of (or at least pretty sure of) were which two out of the fourteen we were leaving off. Playlist after playlist, arrangements scribbled on sketchpads, and still I wasn't quite sure. I had each band member's favorite track listing, and some input from a few select friends that I'd played the music for, but still wasn't 100% sure of what sequence would work the best. I was trying to remain open to the fact that there are other forces at work than my own focus, and that at some point they would intervene and make the right path clear.
We touched down around 11pm, and went right to the W hotel in Union Square. The hotel was really nice - really well designed and elegant. Our producer, Josh Abraham had taken an earlier flight and was staying there too. He, Dave, and Jared were all done for the day and wanted to crash. Not me- I was amped about being in the city, and preoccupied with discovering our final song sequence before the next days mastering session, when the order would be set in stone (or so I thought). I bundled up, put my headphones on, and pushed "play" on my current song sequence, hitting the streets around 1am.
I used to live in New York. Lived there for a couple years, and my apartment was on the same street as the W hotel -about six blocks up. I started my walk by heading back there. I saw the little deli where I would order BLT's for delivery in the middle of the night (one of my favorite things about New York life: all night deliveries). The streets were pretty empty. The bracing air was exhilarating and masked any feelings of fatigue from the journey. All I felt was excitement and a new wonder at how amazing the city was, and gratitude for the reason I was there. Above me I began to see the Empire State Building, ominously poking out above the upper reaches of the skyline, it's upper floors bathed in red light for the upcoming Valentine's Day holiday. I began to work my way westward towards it. At this point I was midway through our record, my current song sequence holding up pretty well.
In no mood to turn back, and getting used to the chill, I made my way northwest toward Times Square. As my walk went on, more and more memories of my time in New York came flooding back. The song sequence was coming to an end and just at the perfect moment, at the crescendo in "Listen", I turned the corner into Times Square.
All of a sudden I was awash in flashing, strobing, multicolored lights. The visual onslaught of the crossroads of the world hit me like an avalanche. I looked down at my legs and I had become multicolored being of reds, greens and blues. Changing. Transforming. I was actively alive and had passed through some sort of black hole, the music and the moment all mashing together to make a slice in time I will never forget. The thin brisk air, a warm world of light and color, and the climax of year and a half's work in my ears. The music ended, and I turned to walk back to the hotel, becoming human again.
I left Times Square changed.


Comments
That's truly inspiring, Steve. Thank you. I cannot put into words how excited I am about hearing this album.
Huw
Posted by: Schubert | February 12, 2006 05:20 PM
I left the 42nd street platform changed one time. I was wearing my badass black leather jacket my Mom bought me. I was trying to look all hard and all, non-Southern so I wouldn't get jumped, standing on that platform, leaning up against one of them famous girders down below. People were walking past me, looking at me, and I'm like, wtf? Some were staring, some were even kinda giggling, still, I'm like, what gives? Well, the train started approaching and I got ready to get on, I hear this "scrrrrrch". Seems as if they had painted the girders a kinda aqua blue earlier that day and evidently, "WET PAINT" signs are in short supply in NYC. Still have jacket, still has some of the paint on it, 15 years later. I hope you guys had a great time Man, and I hope most of the work got done.
Posted by: Lyn | February 12, 2006 05:59 PM
-AER
Posted by: Adriana | February 12, 2006 09:20 PM
Steve, with every post the urge of hearing what the finished product is going to sound like grows more. Take care and I can't wait to see you guys one day in Australia on the world tour
Posted by: Simon | February 12, 2006 11:13 PM
well hello Mr. Isaacs
Just wait when until things get underway and you go on tour. There'll be plenty of colors and lights shining down on you on stage.
Dude, you're always up the wazoo in work, aren't you? If you need any assistance with anything Steve, feel free to give a shout out. I figure what I picked up at MI and my internship might come in handy for something.
Why, oh why my dear Steve are you nocturnal?
Speaking of the predators stakeout show on MSNBC, one of the guys they caught actually worked with me at Universal studios. Well not literally with me, but in another area. Very strange character, didn't talk much to anyone unless they were in costume. Once the people he'd talk to were out of costume, it's like they didn't exist. Always got a wierd vibe from that guy...
nasty sicko, glad they caught him and that he doesn't work there any more.
Anywho, have a good week all.
Happy Valentines day to those who have someone.
For those of us who don't, I say screw it. Who needs Valentine's Day?
Posted by: mortisha8 | February 12, 2006 11:25 PM
Great play-by-play, Steve.
BTW, I miss the ricotta cheesecake at Sal Anthony's SPQR right behind the W at Union Square... the best in the world.
Posted by: Mike | February 12, 2006 11:57 PM
Would you please consider writing a book...perhaps during your down-time ;)
OK...I know that's laughable (the down-time statement) but, I really love your writing...it just leaves me wanting more :)
Posted by: Cori | February 13, 2006 09:07 AM
It's amazing what NYC can do for a wondering soul searching for something....I recall many concerts at the Roseland Ballroom, too many to list... but damn it was alot of fun just trying to get there, cruising the streets, taking the subway, and walking around after the show way late into the night people watching. Glad to read you had a blast and it/the journey all made sense somehow......
Posted by: Brett | February 13, 2006 09:17 AM
I have to agree with Cori about the writing. You’re definitely a fantastic writer. Dude even when you get all techi on us it’s great. Thanks for all your updates. You know, on days that everything seems sort of mundane it’s definitely inspiring to read about your journey.
Posted by: wendybird | February 13, 2006 06:33 PM